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Grateful Dead Live at Boston Music Hall on 1976-06-09




Set 1

Cold Rain And Snow
Cassidy
Scarlet Begonias
The Music Never Stopped
Crazy Fingers
Big River
They Love Each Other
Looks Like Rain
Ship Of Fools
The Promised Land

Set 2

Saint Stephen ->
Eyes Of The World ->
Jam ->
Let It Grow ->
Drums ->
Let It Grow
Brown Eyed Women
Lazy Lightnin' ->
Supplication
High Time
Samson And Delilah
It Must Have Been The Roses
Dancing In The Street ->
Wharf Rat ->
Around And Around

Encore
Franklin's Tower


Collection GratefulDead
Band/Artist Grateful Dead
Date June 9, 1976
Venue Boston Music Hall
Location Boston, MA

Source sony 990 stereo mic>sony tc-153
Lineage aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac
Taped by Steve Maizner
Transferred by Rob Berger


Reviews

Reviewer: njpg - - June 10, 2012
Subject: Despite the partly cloudy sound quality,
which I sort of actually like as it heightens the soft overall tambral quality of the show, this is one of the pleasantest Dead tapes to listen to that I know of. Extremely interesting jams counterpointed by extreme mellowness, this is the epitome of everything I like about '76 Dead. A family folk-rock hippy band at its sweetest.
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Source: flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo
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Source: Source: 2 Sennheiser 421 microphones (15th row-center) > Sony TC-D5M - analog master cassettes;
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris.
Grateful Dead
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Source: Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
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Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes
Grateful Dead
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290
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Source: source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section.
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306
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Source: Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename